Rolls-Royce ‘Models of the Marque’: the 1910s – the Rolls-Royce 40/50 H.P. ‘Silver Ghost’

By 1906, just three years after its foundation, Rolls-Royce was already something of a victim of its own success. Demand for its motor cars was such that its line-up had quickly expanded from the original twin-cylinder 10 H.P. to include three-cylinder 15 H.P., four-cylinder 20 H.P. and six-cylinder 30 H.P. models. Henry Royce had even produced the first ever V8 passenger motor car, known as the ‘Legalimit’ since the 3.5-litre engine was governed to keep it below the 20mph speed limit then in force in Britain – only three of these were ever made, and it remains the only Rolls-Royce model of which no examples survive. This proliferation of models reflected a trend across the luxury automotive sector, as competing manufacturers chased an ever more finely segmented client base.

However, for Rolls-Royce, it caused major manufacturing headaches, since many parts were not interchangeable between models. The problem was compounded by Henry Royce’s entirely laudable policy of continuous improvement; his constant adjustments and refinements went all the way down to the smallest components. This created variations between – and even within – production series, to the extent that often only a handful of individual motor cars would be entirely identical.

As with almost any manufacturing process, more complexity and variability meant increased costs. This was anathema to the highly astute, commercially driven Managing Director, Claude Johnson. Having decided radical change was needed, he proposed the marque should focus all its energies on producing just one model. Charles Rolls enthusiastically agreed, but insisted it should be positioned at the top end of the market, where Rolls-Royce was already gaining a reputation as the very best motor car available.

Though a ruthless perfectionist and tireless innovator, Royce was also a pragmatist. He saw the logic of his colleagues’ single-model approach and duly produced a completely new motor car, the 40/50 H.P.

As with all Rolls-Royce models of the time – and indeed until the 1950s – the 40/50 H.P. was a rolling chassis, upon which the client commissioned bodywork from an independent coachbuilder. At its heart was a new six-cylinder, 7036cc engine (from 1910, the capacity was increased to 7428cc). Royce’s groundbreaking design effectively divided the engine into two units of three cylinders each; combined with a harmonic vibration damper on the crankshaft – a feature still used by modern manufacturers – he effectively eliminated the vibration problems caused by resonate frequencies that had bedevilled six-cylinder engines up to that point.

This technical achievement alone would have been sufficient to make the 40/50 H.P. a historically significant motor car. But it was the marketing genius of Claude Johnson that assured its immortality.

When the 40/50 H.P. was launched, new motor cars were taxed based on their horsepower. In general, this meant higher-value motor cars attracted heavier duties than lower-priced models. Since many of the more powerful motor cars on the market were imported, the tax also helped protect domestic British producers.

To provide a universal basis for these tax calculations, the Royal Automobile Club (RAC) developed the ‘tax horsepower rating’. This was derived not from actual engine output, but by an esoteric mathematical formula based on three engine measurements, all the more arcane when expressed in the prevailing imperial units: an assumed mechanical efficiency of 75%; a mean cylinder pressure of 90lbs per square inch; and a mean piston speed of 1,000 feet per minute. Since these differed from engine to engine, in reality, the resulting figure was almost entirely arbitrary, but could be applied by manufacturers and bureaucrats alike. Using this formula, the new Rolls-Royce was tax-rated by the RAC at 40 horsepower; in fact, it developed 50. Hence it was given the prosaic ‘40/50 H.P.’ designation on launch, so clients would know both the level of duty they would have to pay and how much power they could expect.

As an engineer, Royce was probably quite comfortable with this functional naming convention, but not so Claude Johnson. To his showman’s mind, it lacked distinction, resonance, romance and glamour; and it certainly failed to properly suggest the desirable, best-in-class motor car envisioned by Charles Rolls.

Accordingly, some 50 of the early motor cars were given suitably imposing names, either by Johnson or by their proud owners. In an inspired moment, Johnson dubbed the twelfth chassis, number 60551, the ‘Silver Ghost’, in homage to its almost supernatural quietness and smooth ride. Painted silver and adorned with silver-plated fittings, it was widely exhibited by Rolls-Royce at motor shows, and Silver Ghost would go on to become the name by which the 40/50 H.P. was generally known, as it is today.

But chassis 60551 was more than just a showpiece. Out on the road, it dominated the gruelling, high-profile reliability trials that represented the pinnacle of motoring endeavour at that time and were thus central to Johnson’s relentless promotional activities. In the process, it perhaps did more than any other early Rolls-Royce model to establish the marque’s international reputation for performance and engineering excellence.

Its extraordinary run of success began with the 1907 Scottish Reliability Trial, in which it covered some 2,000 miles without a single breakdown, the only delay being for a minute to re-open a closed fuel tap. Immediately afterwards, it covered 15,000 miles non-stop, driving day and night except for Sundays, setting a new world record for continuous travel.

In 1911, impelled by his own pursuit of perfection and Johnson’s insatiable appetite for publicity, Royce unveiled a new version of the Silver Ghost. Known as the ‘London to Edinburgh’ type, it was designed for the RAC’s flagship reliability trial, a return run of almost 800 miles between the two capitals. In an age long before motorways, the route consisted almost entirely of poorly surfaced A- and B-roads; to add to the challenge, cars were locked in top gear from start to finish.

Chassis number 1701 won the event at an average speed of 19.59mph, returning a then-unheard-of fuel efficiency of over 24 mpg. To prove it had not been modified in any way, it achieved 78.2mph on a half-mile speed test conducted soon after the Trial; later that year, fitted with a lightweight streamlined body, it attained 101.8mph at the fabled Brooklands circuit in Surrey, becoming the first Rolls-Royce in history to exceed 100mph.

But arguably the 40/50 H.P.’s greatest sporting triumphs came in 1913. A ‘works team’ of three Silver Ghosts, plus one privately entered car, all specially prepared to the same specification for the rigours of high-speed endurance motoring, gained first and third places in that year’s Alpine Trial, which started and finished in Austria. Customers immediately demanded a Silver Ghost offering similar performance, so Rolls-Royce released a production model of the competition cars; formally named the Continental, these were generally known as ‘Alpine Eagles’. The Continental itself then scored a landmark win in the inaugural Spanish Grand Prix, driven by the newly appointed Rolls-Royce agent for Spain, Don Carlos de Salamanca. His victory by three minutes helped Rolls-Royce break into a Spanish market that had long been dominated by French marques.

These faultless performances, together with the quietness and smoothness of operation implicit in its name, secured the Silver Ghost’s reputation as ‘the best car in the world’. It proved an enormous commercial success for Rolls-Royce, with 6,173 examples built in Britain, and a further 1,703 at the marque’s American factory in Springfield, Massachusetts, between 1907 and 1925.

Thanks to these relatively large volumes over a long production run, the Silver Ghost has one of the largest surviving populations of early Rolls-Royce models. This longevity is a testament to Royce’s engineering and the marque’s build quality. Even more impressive, however, is that some are still capable of the performances they achieved when new. In 2013, 47 Silver Ghosts, including one of the original team, retraced the 1,800-mile route of the 1913 Alpenfahrt, while in 2021, chassis 1701 repeated its record-breaking London-Edinburgh run; locked in top gear, just as it had been 110 years earlier.

Andrew Ball, Head of Corporate Relations and Heritage, Rolls-Royce Motor Cars, said: “Of all the famous nameplates borne by Rolls-Royce motor cars since 1904, few are as celebrated, significant, evocative and enduring as the ‘Silver Ghost’. Formally launched in 1906 as the 40/50 H.P., it was the first model to be awarded the soubriquet of ‘the best car in the world’ that Rolls-Royce retains to this day, setting unmatchable standards for performance and reliability, proven in the era’s toughest road trials. It was also a stupendous commercial success, with almost 8,000 examples built in the UK and US over an 18-year period – an unimaginable product lifespan in the modern age. That so many Silver Ghosts still survive in full working order – and, indeed, regularly perform the same feats they achieved more than a century ago – is a lasting monument to Henry Royce’s engineering genius.”

Bentley Breaks Ground On New Paint Shop As Part Of Key Preparations For Electric Future

Bentley Motors has taken the next step on its journey to become fully electric and the world’s most sustainable luxury automotive manufacturer with a ground-breaking ceremony for a new Paint Shop in Crewe. This investment transforms an 85 year old site for a new age of electrification and confirms Bentley’s commitment to Crewe, England.

The new facility at Bentley’s carbon neutral headquarters will be integral to the brand’s preparations for future Battery-Powered Electric Vehicle production and to set a new benchmark in next generation, digital, flexible and high-value manufacturing operations.         

To mark the occasion, Andreas Lehe, Bentley’s Board Member for Manufacturing, and Jan-Henrik Lafrentz, Bentley’s Board Member for Finance and IT, officially started construction by breaking ground.

The new 12,460 sqm. Paint Shop will be completed in 2025 and will offer an expanded paint colour choice of near 100 individual colours to customers, uniquely celebrated as part of the exterior building design. Additionally, there will be a four storey office building which in total will be home to more than 370 Bentley colleagues.

The new building forms part of a £2.5 billion investment programme in future products and at the Pyms Lane factory in Crewe, where all Bentley models are handcrafted.

Commenting on the developments, Andreas Lehe, said: “Breaking ground on this new state-of-the-art building is a milestone moment and supports our aim for a benchmark position in new innovative technologies, skills and facilities to enable a truly digital, highly-flexible benchmark for luxury car manufacturing.        

“While also modernising our site, it is a clear demonstration of our ambition and long-term commitment to Crewe as we transform Bentley into the leader of sustainable luxury mobility.”

Bentley’s industry-leading Beyond100 strategy will see the company reinvent its entire product range to support an electrified future, while achieving end-to-end carbon neutral status by 2030. The company’s digital, zero environmental impact, manufacturing facility will introduce a go-to-zero approach on the environmental impacts of manufacturing and lead the luxury car industry in next generation digital applications.         

120 Years Of Rolls-Royce Motor Cars

On 4 May 2024, Rolls-Royce Motor Cars marks the 120th anniversary of the first meeting between Henry Royce and The Hon. Charles Stewart Rolls. The founders’ personal stories, the history of the company they founded and its motor cars are well known and available to view elsewhere on the Rolls-Royce Press Club.

To celebrate this auspicious anniversary, Rolls-Royce considers the historical, technological and social context in which the marque came into being and the impact and influence of the Rolls-Royce name over its 120 years. But to fully understand the marque’s origins and legacy, one must first reach a little further back in time and examine the founders’ activities in the years immediately prior to that first, world-changing encounter in 1904.

HENRY ROYCE: THE ENGINEER
For Henry Royce, the story really begins in late 1884, when he founded his first engineering company, F. H. Royce & Co. (he was christened Frederick Henry) in Manchester. Initially producing small items such as battery-powered doorbells, the company progressed to making heavy equipment including overhead cranes and railway shunting capstans.

But after almost two decades of expansion and success, in 1902 the company was heading for financial trouble, owing to competition from an influx of cheaper products from Germany and the USA. Royce’s perfectionism and obsession with improvement meant he was not prepared to enter a race to the bottom, or compromise the quality of his products. Habitual overwork and constant strain seriously affected his already weakened constitution, and finally his health collapsed entirely.

His doctors ordered him to take an extended break, so Royce embarked on a 10-week visit to his wife’s family in South Africa. Yet even on a medically imposed rest cure, his engineer’s mind was as active and inquisitive as ever. His choice of reading material on the long voyage was The Automobile: Its Construction and Management, originally written in French by Gérard Lavergne and translated into English that year. This was literally ‘the book’ on how to build a motor car, and Royce was clearly both enlightened and inspired by it.

On his return to England, Royce — now physically and mentally recovered — immediately acquired his first motor car, a French 10 H.P. Decauville. It’s often been assumed that this car was so poorly made and unreliable that Royce, out of sheer frustration, set about addressing its numerous defects.

In fact, almost the opposite is true. He chose the Decauville precisely because it was an excellent, state-of-the-art machine with the express intention of dismantling it, analysing every component, then producing his own car from scratch. Any reasonably competent engineer could have upgraded a badly built, substandard product: it took a genius of Royce’s stature to, in his own words, “take the best that exists and make it better”.

THE VITAL ROLE OF ‘LITTLE ERNIE’
One of the lesser known – but nonetheless vital – contributors to the first Royce cars’ development was Ernest Wooler. Born in Manchester in 1888, 15-year-old Ernest stood five feet four inches (1.62m) tall and was nicknamed ‘Little Ernie’ when he joined Royce Limited in 1903 as an indentured premium apprentice — a position for which his father paid the very considerable sum of £100 (over £15,000 at today’s values). He worked a 56-hour week for a shilling a day (about £7.60 now) in the drawing office, learning to make blueprints — and, strictly against the rules, producing his own drawings on the draughtsmen’s boards.

One morning, he received an ominous summons: Mr Royce himself wished to see him. After severely reprimanding the unfortunate youngster for his unauthorised handiwork, Royce ordered him to go and fetch a typist’s notepad. Mystified, Ernie did as he was instructed and gave the pad to his employer. Royce waved it away. “You hold onto that and follow me,” he said and led the way to the workshops, where he climbed onto the Decauville, took off his jacket and rolled up his sleeves. Then, assisted by a fitter, he began methodically taking the car apart. Nearby, Ernie sat on a box with his notepad. “Each piece was handed to me, and I made a sketch of it and added the dimensions they quoted,” he later recalled.

As Royce correctly judged, Ernie was the ideal person to capture the basic data that would inform the design of the motor cars that followed. It’s also tempting to wonder if Royce recognised a kindred spirit; a young man starting at the bottom, but eager to better himself. If so, he was right. In 1913, Ernie emigrated to America and enjoyed a successful career as a design engineer, becoming an expert in bearings and filing a number of patents. In 1947, he retired to Hillsboro Beach, Florida, where he was elected as the town’s first mayor.

SMALL THINGS MAKE PERFECTION
Royce had left school aged just 10 and his formal education consisted of evening classes in English and Mathematics that he attended in his late teens; later, as the world-renowned Sir Henry, he still self-deprecatingly described himself as being able to do no more than simple arithmetic. But he had an instinctive, intuitive talent that more than made up for his lack of academic credentials.

As noted, the Decauville was a highly evolved motor car in its own right and Royce sensibly retained some of its key features — a two-cylinder engine, live propshaft and differential rather than chain drive — in his own designs. He also introduced numerous detailed alterations and innovations: mechanically rather than atmospherically operated inlet valves; a more effective radiator; replacement main, big end and gearbox bearings; and a single gear lever replacing the Decauville’s notoriously tricky twin-lever arrangement. From the outset, he was obsessed with reducing the car’s overall weight, beginning with the simple and obvious expedient of discarding the Decauville’s bronze warning bell, which reputedly weighed around 20kg (over 40lb).

It was not only the Decauville that Royce subjected to his intricate and exacting scrutiny. Between 1902 and 1905 he repaired, investigated and test-drove various makes of cars belonging to (presumably willing) friends and acquaintances to gain additional first-hand insights. According to his own records, he covered some 11,000 miles in the course of this research; many of them undoubtedly in the Decauville, which he kept until at least 1906.

Royce the engineer was aiming to build the best car in the world. It was no vanity project or proof-of-concept exercise: he wanted his technical innovation to be commercially viable. Unfortunately, easy charm, a wide social network and a way with words were not among his many gifts. But in London, there was a young man who had these qualities in abundance.

THE HON. CHARLES STEWART ROLLS: THE SALESMAN
In many respects, The Hon. Charles Stewart Rolls was Royce’s antithesis: wealthy, aristocratic, urbane, well-connected and highly (and expensively) educated. What they shared was a passion for engineering and machinery — in  Rolls’s case, racing cars, hot air balloons and aeroplanes.

After graduating from Cambridge in 1898, Rolls had been briefly employed as Third Engineer on his family’s steam yacht, the Santa Maria, following a spell at the London & North-Western Railway in Crewe. But after just a few years, he realised that his considerable talents required a different outlet.

In January 1902, Rolls opened one of Britain’s first car dealerships, C. S. Rolls & Co., in Fulham, west London, partnering with the formidable Claude Johnson at the end of 1903. The enterprise, initially underwritten by Rolls’s father, Lord Llangattock, imported and sold French Panhard and Mors cars, as well as Minerva vehicles built in Belgium. The business seemingly flourished, but Rolls was frustrated that all his stock was designed and manufactured overseas. He could find no car produced domestically that met his clients’ needs, or his own standards as both a trained engineer and a lifelong enthusiast.

As 1904 dawned, the elements of a potentially transformative partnership were in place: Royce the gifted engineer in search of a market; Rolls the consummate salesman seeking a game-changing product. All that was needed was something — or someone — to bring them together.

HENRY EDMUNDS: THE CRUCIAL CONNECTION
Rolls had befriended Henry Edmunds through the Automobile Club of Great Britain & Ireland (later the Royal Automobile Club). Edmunds was a director of Royce Limited and had driven one of the company’s early 10 H.P. cars. His enthusiasm for the car was such that Rolls requested a meeting with its creator, which Edmunds duly arranged. On returning to London from Manchester, Rolls told Claude Johnson that he had found “the greatest motor engineer in the world”. Rolls agreed to sell all the cars Royce could make and the rest is, literally, history.

THE WORLD IN 1904
So much for the personalities. What of the world and context in which Rolls-Royce was formed?

Much of what is taken for granted today was still decades in the future — indeed, many things now considered essential would not arrive until the following century. From the vantage point at the time of writing in 2024, 1904 feels like ancient history: a grainy, distant, black-and-white world detached from our own times and experiences.

Rolls and Royce met in a world without television, penicillin or FM radio. Construction work had just begun on the Panama Canal; The RMS Titanic wouldn’t set sail on her fateful maiden voyage for another eight years. King Edward VII was two years into his reign, having succeeded his mother, Queen Victoria, in 1902 — the year that also saw the end of the Boer War, one year prior to Wilbur and Orville Wright making the world’s first flight in a powered aircraft. Arthur Balfour was British Prime Minister, Theodore ‘Teddy’ Roosevelt was President of the United States and Franz Joseph I was Emperor of Austria-Hungary.

The motor car, too, was still in its infancy; Karl Benz had produced the first ‘true’ petrol-powered automobile — albeit with just three wheels — in 1886, and motoring remained largely a hobby for daring, well-heeled enthusiasts like Charles Rolls. The world would have to wait until 1913, when Henry Ford displayed the world’s first moving assembly line, for cars to become accessible and affordable to the majority of the population.

But the seeds of our modern life were there. This was the belle époque, an unusually protracted period of peace and political stability in Europe that gave rise to economic confidence and prosperity, which in turn encouraged a surge in innovation. The preceding 20 years alone had seen the invention of the vacuum cleaner, electric oven, dry-cell battery, ballpoint pen, cinema, pneumatic tyre, x-rays and radio. The great technical marvel of 1904 was City of Truro, the first steam locomotive in the world to exceed 100mph — a record that stood for 30 years.

There were significant social and cultural advances, too, with the appointments of Britain’s first black mayor, and first female university professor. The London Symphony Orchestra gave its inaugural concert and the Coliseum Theatre opened in the West End. Literary circles were graced by titans including Mark Twain, H. G. Wells, Jules Verne, James Joyce, Leo Tolstoy and P. G. Wodehouse; concert halls and opera houses premiered works by Debussy, Sibelius, Ravel, Elgar, Puccini, and Mahler. New types of music also bloomed, as the syncopated rhythms that would inform Jazz proliferated through Ragtime.

It was into this extraordinarily fertile, dynamic and optimistic age that Rolls-Royce was born. A time in which visionaries and pioneers would shape how the world thought, functioned and behaved for years or decades to come; exactly what Rolls and Royce did with their new motor car.

By building a machine whose engineering, performance, reliability and durability surpassed everything that had gone before, Royce and Rolls set the standard not only for all the Rolls‑Royce models that would follow, but for the motor car itself. In so doing, they shaped a technology that would transform work, travel, communications, communities, infrastructure, design, technology, materials society, politics, economics and culture in ways they could never have predicted.

A PERMANENT LEGACY
Rolls and Royce fulfilled their mission to create ‘the best car in the world’. They gave their names to a dynasty of motor cars that defined, and continues to define, superluxury motoring across the world.

But perhaps their crowning achievement is to have made Rolls-Royce the global exemplar of excellence. Practically every product, service, device and technology that has been invented since 1904 has aspired to be ‘the Rolls-Royce of…’ its industry or sector. The standard they set 120 years ago is still driving innovation and improvement everywhere — including within the company they created.

Andrew Ball, Head of Corporate Relations and Heritage, Rolls-Royce Motor Cars: “From a modern perspective, 1904 can feel impossibly distant from our own times. But it was an age of unprecedented invention, innovation and technological progress, in which many of the things we now take for granted first appeared. Rolls-Royce was born into this extraordinarily dynamic, creative world and would go on to shape it profoundly and irrevocably. Looking back, the meeting of Rolls and Royce seems somehow predestined, the arcs of their respective careers up to that point making it appear almost inevitable. In fact, it came about through a web of chance connections and overlapping relationships; without these, given their vastly different backgrounds and social circles, it might never have happened at all. We are proud to continue their remarkable story, to celebrate and build upon their unique legacy 120 years later.”

Rolls-Royce ‘Makers of the Marque’: Ernest Hives

Photo by ANL/Shutterstock (1475290a)
Lord Hives Managing Director Of Rolls Royce Ltd.

Ernest Walter Hives was born on 21 April 1886 in Reading, Berkshire. In 1898, aged just 12, he began a three-year apprenticeship with a local engineering company that had a sideline dealing in motor cars.

From the outset, the young Hives was captivated by these fascinating new machines. He saw his future in them and, like Henry Royce a generation earlier, he did not allow his humble background and limited formal education to impede his ambitions. He shared Royce’s unending capacity for hard work, putting in long hours and applying what was evidently a similarly lively and enquiring mind. In particular, he would watch and listen to those on the night shift, steadily building his knowledge of the motor cars’ inner workings and operation.

But his was not merely a theoretical interest, and he soon taught himself to drive by moving cars around the garage. We can assume this was with his employers’ blessing since, though still only 14, he quickly graduated to the road, where he taught clients to drive. His combination of technical understanding, an intuitive ‘feel’ for the motor car and outstanding practical skills would shape his career in the years that followed.

That nascent career took a defining turn sometime around 1903 (the precise date is not known) when Hives rendered assistance to a motorist who was having trouble with one of his motor cars (likewise, history does not record whether this was at the Reading garage or out on the open road). What is certain is the motorist’s identity: The Hon. Charles Stewart Rolls.

Whenever and wherever this encounter occurred, Rolls was so impressed that he promptly took Hives on as his personal chauffeur. The young man’s star continued to rise with a swift promotion to the position of mechanic at C S Rolls & Co, the prestigious London motor car dealership established by his new employer at the start of 1903.

But driving remained Hives’ true calling. He left C S Rolls & Co to work first at Owens and then Napier, for whom he drove in the gruelling Scottish Reliability Trials of 1907 and 1908, and also at the 1908 Brooklands meeting, where he sported jockey’s racing colours of yellow and white (which he described as looking like ‘a poached egg’).

In 1908, he made what would be the most pivotal move of his career; taking a job at Rolls-Royce, by now in its fourth year, as an experimental tester. His own account suggests he was less than overjoyed at the prospect, at least initially. “When I got to Derby in 1908 and walked out of the station it was raining hard,” he wrote later. “Looking up Midland Road, it was so drab that I spun a coin to decide whether to go on to Rolls-Royce or catch the next train home.” By such small chances, momentary decisions and tiny margins for error are careers, lives and history itself so often determined.

Rolls-Royce had created the new role of experimental tester following its showing at the 1907 Scottish Reliability Trial. Not that the event had gone badly for the fledgling marque, on the contrary: the 40/50 H.P. – better known as the Silver Ghost – had comprehensively beaten the opposition, including the Napier driven by Hives; even more impressively, the punishing 15,000-mile test had been the motor car’s first competitive endurance run. Never one to rest on his laurels, however, Henry Royce saw this overwhelming success as conclusive proof of the need for continued testing to, in his own words, ‘take the best that exists and make it better’.

Hives joined the company’s newly formed experimental department, and immediately proved a natural at this highly structured, technically exacting work. His insights into the subtleties of a motor car’s performance and responses – that it developed a resonance noise at a certain speed, that the chassis felt either too stiff or not stiff enough under cornering, or that the engine seemed to have a ‘flat spot’ at a particular rpm (revolutions per minute) – would have been invaluable to Royce and his design team. Indeed, such were his gifts that when the Royal Automobile Club (RAC) announced its headline 1911 endurance trial from London to Edinburgh and back, Hives was automatically chosen to drive Rolls-Royce’s entry: Silver Ghost 1701.

Designed as an ‘Experimental Speed Car’, 1701 easily won the event, in which entrants completed the entire 794-mile trip between the two capitals locked in top gear. Under Hives’ expert handling, the vehicle averaged almost 20mph and returned a then unheard‑of fuel efficiency of over 24mpg – genuinely astonishing figures given the parlous state of Edwardian Britain’s roads, and a testament to Hives’ skills, courage and powers of concentration behind the wheel, as well as Royce’s engineering.

Rolls-Royce followed up this performance by contesting the even more daunting Alpine Trials, held over eight days and 2,600km on some of the highest roads in Europe. After an embarrassing underperformance by a ‘privateer’ car in 1912, Managing Director Claude Johnson was eager to set the record straight and approached the 1913 event in typically energetic and uncompromising fashion. He assembled an official ‘works’ team of three specially prepared Silver Ghosts, each with a hand-picked driver and mechanic, plus a fourth car built to the same specification driven by private owner James Radley. Hives was one of the company’s top drivers – as proven by his being the first to exceed 100mph in a Silver Ghost – and therefore an obvious selection for Johnson’s new crack team. Piloting the Number Two car, accompanied by mechanic George Hancock, he completed a near-faultless run (he was docked a single point for stalling on leaving the parking area in Salzburg) that earned him one of the team’s three silver medals, in an overall performance that saw the Silver Ghosts generally accepted as ‘the fastest, quietest and strongest cars in the event’.

Alongside his racing exploits, Hives continued to make a vital contribution to Rolls-Royce’s research and development efforts as an experimental tester, introducing the first ‘chassis bump rig’, that could test chassis’ components to destruction. He also undertook the still potentially hazardous work of testing Royce’s latest designs on the open road. Having settled on France as the ideal place to carry out high-speed road testing, he made regular sorties along a route he devised between Paris and Royce’s winter home at Le Canadel, near Nice. For someone who had adored motor cars since childhood, this must have been as close to the perfect job as it is possible to get.

The natural-born talent and sheer love of driving that Hives first demonstrated as a teenager never left him. Many who knew him spoke of a ‘sixth sense’ he had when driving, seeming to know instinctively if the road ahead was clear and when he could take the fastest line through a corner or needed to ease off.

As his career progressed, Hives became increasingly involved with developing Rolls-Royce’s aero engines as well as its automotive products. In 1937, he became a Board Director and General Works Manager; his most significant act was to split the company’s motor car (chassis) and aero engine operations into two independent entities, which remains the case to this day.

In 1946, he became Managing Director, and in 1950, Chairman of the Board: that same year, he received a peerage and, as 1st Baron Hives, completed an extraordinary journey from working as Charles Rolls’s chauffeur to leading the great company his late employer had co-founded almost 50 years earlier. Yet the man who had doggedly worked his way up from a Reading garage to the House of Lords always remained modest, describing himself with an understatement worthy of Royce’s equally understated self-characterisation as ‘just a mechanic’. Respectfully, Rolls-Royce Motor Cars begs to differ.

Andrew Ball, Head of Corporate Relations and Heritage, Rolls-Royce Motor Cars, said: “Even for so gifted an engineer as Henry Royce, there’s a limit to how far theory can take you: there comes a point where someone has to determine whether your design actually works in practice. In the early days of Rolls-Royce, that was Ernest Hives. From humble origins, Hives turned his fascination for motor cars and outstanding self-taught driving skills into a glittering career with Rolls-Royce, first as an experimental test driver, then as one of the ‘works’ team contesting the great motor trials of the day. His observations and hands-on experiences from the road would have been crucial to Royce’s continuous improvement process, making him a key figure in the technical development of the ‘best car in the world’.

Rolls-Royce Unveils Arcadia Droptail

Rolls-Royce Motor Cars is delighted to present Rolls-Royce Arcadia Droptail, an exquisite coachbuilt expression of tranquillity. Arcadia Droptail is the epitome of quiet irreverence, celebrating purity of form and natural materials while serving as a bold statement of the client’s personal taste. Commissioned by an individual who possesses a distinct affinity for architecture and design, Arcadia Droptail is a testimony to the patron’s sensibilities and personal codes of luxury, defined by purity and subtle restraint, reflecting their firm belief in distilling complexity to reveal the inherent, fundamental essence.

This coachbuilt commission takes its name from the mythical realm of Arcadia, a place depicted in Ancient Greek mythology as ‘Heaven on Earth’ – a land renowned for its extraordinary natural beauty and perfect harmony. Like the haven that inspires its name, Arcadia Droptail was envisioned by the client as a serene space characterised by reduction, material depth and tactility that would serve as a refuge from the complexities of their business life.

In capturing the theme of tranquillity, Coachbuild designers embarked on an exploration of design, sculpture and architecture from the client’s favourite regions around the world. This included the precision and richness of modernist tropical sky gardens seen in Singapore, Indonesia and Vietnam as well as British ‘Biomimetic’ architecture, where organic forms and material honesty are celebrated.

In addition to these references, the client was also inspired by the motor car itself and the purity of the Droptail design concept. The commissioning client insisted that their Coachbuild motor car should be absolutely faithful to the earliest hand-drawn sketch they were first presented with in 2019.

It was the profile of this highly contemporary projection of the roadster body type that resonated so strongly with the commissioning client. They were particularly compelled by the motor car’s bold, low stance, ensconcing cabin design and dramatic body lines. They also immediately recognised the nautical inspiration behind Droptail’s ‘sail cowls’: named after their resemblance to a yacht’s jib, these sharp, angular forms rise behind the doors and curve gently inwards, subtly directing the eye to the motor car’s occupants.

EXTERIOR: A TRIBUTE TO DROPTAIL
In order to fulfil the client’s ambition to honour Droptail’s form, Rolls-Royce Coachbuild designers developed a calm, natural duotone colourway for the motor car’s coachwork. The client’s aspiration was to define a timeless white, appearing as a solid colour at first glance, but creating a level of intrigue upon further study under natural light. To achieve this, the main body colour is a solid white infused with aluminium and glass particles. This not only creates an effervescent shimmer when the light strikes the coachwork but, upon close inspection, creates the illusion of unending depth in the paint. Rolls-Royce specialists developed a more faceted, striking metallic using larger sizing of aluminium particles. The client was very particular and involved in their request for the Bespoke silver to contrast against the white, not only in colour, but also in terms of intensity.

In a key departure from the other three coachbuilt Droptails in this series, the carbon fibre used to construct the lower sections of Droptail is painted in the solid Bespoke silver colour rather than left fully or partially exposed, visually ‘lifting’ the motor car in profile to intensify its lithe, dynamic intent.

In tribute to the brilliant mirror finish of brightwork on historical Rolls-Royces, which particularly fascinate the client, the exterior grille surround, ‘kinked’ vane pieces and 22-inch alloy wheels have been fully mirror-polished.

While Arcadia Droptail’s exterior palette is rich in subtle detail, its primary intention is to celebrate the form and proportions of the coachwork. The client was particularly compelled by Droptail’s clean, monolithic surfacing and bold use of negative sculpture – features that are amplified by the motor car’s muted paint colours, which reflect sunlight and cast dramatic shadows, highlighting Droptail’s many subtle design gestures.

INTERIOR: THE CENTRALITY OF WOOD
As the exterior of Rolls-Royce Arcadia Droptail celebrates the motor car’s form, the interior is a deeply personal reflection of the client’s individual aesthetic, reflective of the style they have curated in their residences and business spaces around the world. Arcadia Droptail’s colour palette and material treatment was envisioned to be a truly personal statement and instantly recognisable as a personal signature of the commissioning client.

Wood development was central to Arcadia Droptail’s interior and the client’s focus, whose very specific expectations concentrated on the texture, grain, colour and richness of the material itself. The client shared many examples of preferences and inspiration from architecture, residences and classic cars, to guide Rolls-Royce Coachbuild designers and material specialists.

Santos Straight Grain was eventually selected as the most modern statement, based upon its rich texture and visual intrigue, which is derived from its unique, interlocking grain pattern.

Using this high-density hardwood on Droptail’s interior posed a significant challenge for the marque’s craftspeople. Santos Straight Grain has one of the finest grain types of all the wood species used within a Rolls-Royce – if not handled with the greatest care, it easily tears when machined and ‘checks’ (a crack that appears parallel to the grain) during the drying process. Despite the challenges of working with this delicate material, Santos Straight Grain is used throughout Droptail, including the aerodynamically functional rear deck section, where the grain of the open pore veneer is laid at a perfect 55° angle. To achieve a perfect composition over complex geometry, Rolls-Royce artisans used a total of 233 wood pieces throughout Arcadia Droptail, with 76 pieces applied to the rear deck alone.

Given that Arcadia Droptail will be used internationally, including some tropical climates, specific attention was paid to developing a protection system and testing process for the exterior wood surfaces. Coatings used on superyachts were initially considered but rejected given that they require regular servicing and re-application. Instead, a Bespoke lacquer was developed that requires just one application for the lifetime of the motor car.

To validate this coating, Rolls-Royce specialists conceived a unique testing protocol wherein veneer pieces were subject to a punishing cycle inside a specialist machine simulating global weather extremes. This involved spraying sample wood pieces with water intermittently, between periods of leaving them to dry in darkness and exposing them to heat and bright light.

This was repeated for 1,000 hours on 18 different samples before the marque’s specialists were satisfied with the endurance of the pieces. In total, the wood pieces and protective coating required more than 8,000 hours of development.

INTERIOR: A STUDY IN WHITE
The leather interior is finished in two entirely Bespoke hues, named after the client and reserved exclusively for their use. The main leather colour is a Bespoke White hue, continuing the exterior paint theme, while the contrast leather is a Bespoke tan colour, developed to perfectly complement the selected wood.

The interior also includes the exquisite shawl panel that unites all four Droptail motor cars and is the largest continuous wood section ever seen on a Rolls-Royce motor car. In Arcadia Droptail, it is made in the same Santos Straight Grain open pore veneer as the rear deck, book-matched at the same 55° angle, with individually shaped leave stripes running seamlessly into the door linings. CAD tools were used to map the placement of each wood piece, and although it appears to be constructed from just two mirrored sections of veneer, this panel alone is made up of 40 sections, each digitally mapped before being fixed to the motor car.

Applying wood to the complex curvatures of Droptail’s interior required Rolls-Royce engineers to develop an entirely new substructure for several components. The dramatic geometry of the dashboard, door linings and central cantilevered ‘plinth’ armrest had to be incredibly rigid to ensure the stability of the wood pieces once they were laid in place. Engineers called on carbon fibre layering techniques used in Formula 1 motor racing to develop an incredibly stiff base onto which the wood could be applied, ensuring that it remained secure regardless of the dynamic extremes the motor car experienced.

BESPOKE TIMEPIECE: A PRECISION INSTRUMENT
The Santos Straight Grain veneer fascia incorporates a clock conceived and developed by Rolls-Royce Coachbuild designers and craftspeople. This expression of haute horlogerie is the most complex Rolls-Royce clock face ever created: the assembly alone was a five-month process, which was preceded by more than two years of development.

The clock incorporates an exquisite geometric guilloché pattern in raw metal with 119 facets. This is a symbolic nod to the marque’s heritage; as the client first saw a preview of the motor car in late 2023 – the year when Rolls-Royce celebrated its 119-year anniversary. The specially designed clock face also includes partly polished, partly brushed hands and 12 ‘chaplets’ – or hour markers – each just 0.1mm thick. To ensure the readability of the timepiece, specialists gave each chaplet an infill bridge and painted them by hand using a camera capable of magnifying an image by up to 100x.

While many haute horlogerie methods were used to develop the timepiece, the testing and validation standards at Rolls-Royce are higher than those of the watch world. This required the marque’s specialists to draw on an expansive palette of materials. For example, instead of anodizing the timepiece’s minute marker, which is common practice in watch manufacturing, it is finished in a ceramic coating chosen because of its stability over time as well as its aesthetic merits. Small areas of the coating were laser-etched away to reveal the mirror finish of the aluminium material beneath it. Like every piece within the timepiece, including the Bespoke ‘double R’ monogram, they were individually machined from solid stainless-steel billet and polished by hand prior to assembly.

Themes from the clock are paired with the instrument dials, sharing materials, techniques and execution. They feature the same repeated guilloché pattern, as well as brushed and polished brightwork and frosted white inserts, recalling the colourway of the motor car.

STATEMENT OF A COSMOPOLITAN LIFESTYLE
Reflecting the patron’s international lifestyle, the motor car is specified with left-hand drive to facilitate its use around the world. This international dimension was so important to the commissioning client that the Coachbuild Collective wanted them to experience the motor car in multiple locations around the world before it was built. Coachbuild designers used the marque’s ‘holodeck’ to facilitate this – a unique virtual 3D environment in which the client uses an advanced virtual reality (VR) headset to view the motor car as it would appear in specific locations around the world.

ARCADIA DROPTAIL: AN ELEGANT SPACE IN THE DROPTAIL CANON
While every Rolls-Royce client is different, they each share a powerful strength of conviction, and this individual’s requirements were clearly stated from the outset. However, translating these complex, highly personal sensibilities into a coherent, workable design was the product of a significant body of work. It was here that the Coachbuild process, with its unprecedented investment of time – over four years in total – and uniquely close relationship between the client and the marque, paid incalculable dividends.

Coachbuild designers invested many months examining and interrogating the client’s tastes in everything from clothes and furnishings to food and travel destinations. From this, they defined and codified an aesthetic rooted in the client’s truth and experience; an objective portrait of their internal world and external surroundings, backed by the certainty and authority of the design team’s own discernment, understanding and professional judgment. Other family members, notably the client’s daughter, also become engaged with the process. When the final design was ready, the client’s wider family were invited to review it: all agreed that it perfectly captured the client’s aesthetic and character.

The client derived enormous pleasure from having their tastes and identity so clearly rationalised and projected back to them. Indeed, the process revealed the client had a far more modern outlook than they realised, defined by lightness, the use of natural materials and a clear passion for precision. Arcadia Droptail has since become a reference point for the client’s commissions from other luxury houses and architects.

This unique expression of Rolls-Royce Droptail reflects this remarkable client’s confidence, clarity of vision and long-term relationship with Rolls-Royce Motor Cars. Its significance lies both in its exquisitely minimal execution and the unique skill of Rolls-Royce Coachbuild designers in capturing the sensibilities and soul of an individual.

First Bespoke Limited Edition In India Curated By Bentley Mulliner

Five individually curated Bentley models, commissioned by a Bentley retailer, comprise the first Mulliner Bespoke Edition created exclusively for the Indian Market. All feature an extensive specification, with unique exterior and interior finishes inspired by the colours of the Indian flag. Each example is handcrafted in Crewe, England, by Mulliner, Bentley’s in-house personalisation and bespoke department.

The Opulence Edition for India is limited to just five vehicles: a Continental GT Speed, a Flying Spur Speed and three Bentayga EWB Azure models. All five are presented in Scarab Green exterior finish, an exclusive Mulliner development inspired by the iridescent green exo-skeleton of the Scarab beetle. Complemented by bespoke interior colourways of Mandarin and Cumbrian Green hide, each car is a tribute to India’s national colours.

Bespoke elements of the Opulence Edition
Although different in character, all five models in the Opulence Edition have key bespoke elements in common. All feature the lustrous Scarab Green exterior finish that was first developed for Bentley’s first coachbuilt barchetta, the Bacalar. Inside, the orange and green of India’s national colours are represented by upholstery of Mandarin main hide and Cumbrian Green secondary hide. The mirror-like Piano veneer of the fascia and trim is also finished in Cumbrian Green, with an inset chrome motif on the fascia of wild horses and mountain peaks. From the initial brief, designers and artisans painstakingly produced multiple depictions until the perfect composition was achieved. The design was ultimately hand-drawn, and carefully applied to the fascia using a chrome overlay technique. This unique colour and trim specification is the outcome of close collaboration between Bentley Mumbai and the Mulliner team, and celebrates the first-ever Mulliner bespoke edition created for the Indian market.

Performance delivered by the Opulence Edition Continental GT Speed
The 659 PS Continental GT Speed is the ultimate performance-focused iteration of the world’s benchmark luxury Grand Tourer, and the Opulence Edition complements its character perfectly. The Scarab Green exterior and 22” Speed wheels in dark tint finish focus one’s attention on its poised and muscular lines, while the LED welcome lamps, and self-levelling wheel centre badges are typical of Mulliner’s perfectionist attention to detail.

Open the driver’s door, and the full drama of the two-colour interior is revealed, with knurled switchgear and instrument bezels set on a fascia of Cumbrian Green in a piano finish. Contrast stitching in Mandarin picks out the lines of the upholstery and the diamonds of the quilted sections. The Opulence Edition Continental GT Speed was limited to one example, and this has already been delivered to its delighted owner.

Opulence Edition Flying Spur Speed’s bespoke craftsmanship
The Opulence Edition Flying Spur Speed’s lavish specification includes diamond knurling on bezels and switchgear, Naim for Bentley audio and the unique Bentley rotating display. Throughout the cabin, the perforated, quilted seat upholstery is bordered by side bolsters with Mandarin contrast stitching and Speed-embroidered headrests.

This Bentley’s performance focus finds the perfect expression in the Opulence Edition’s Scarab Green exterior finish, complemented by 22” dark tint Speed wheels with self-levelling wheel centre badges. The illuminated Flying B radiator mascot is finished in polished stainless steel, providing a contrast to the dark tint brightwork of the Speed specification.

The pinnacle performance model of the Flying Spur line up is powered by a 626 bhp 6.0-litre twin turbocharged W12 engine, with Electronic All Wheel Steering, Torque Vectoring by Brake technology and Bentley Dynamic Ride as standard. Just one Opulence Edition Flying Spur Speed will be produced.

The Opulence Edition Bentayga EWB Azure
While the Bentayga EWB is more than capable of soul-stirring performance, the emphasis with the Opulence Edition is on space, wellbeing and abundant luxury. The Opulence Edition Bentayga, of which three examples will be made, comes in four-seat configuration with the Mulliner console bottle cooler separating the two rear seats. Contrast stitching in Mandarin runs around the lip of the fascia top roll, and around the edge of the Cumbrian Green seat bolsters, while contrast stitching in Cumbrian Green can be seen in the outer diamonds of the quilted seat inner areas and the Azure-embroidered headrests.

With the Bentley Dynamic Ride 48V active anti-roll control system providing the optimum balance between ride comfort, handling and body control, the Opulence Edition Bentayga EWB Azure provides a haven of calm and comfort.

The Lake Club EIMG Concours d’Elegance Enthral The City Of Joy

On Sunday, January 28, all roads led to The Lake Club as the EIMG Concours d’Elegance 2024 set the City of Joy ablaze with 95 scintillating exotic vehicles which took part in this annual heritage event. Now in this third edition, the event was organised by Eastern India Motoring Group (EIMG) in collaboration with The Lake Club and supported by ACE Commercial.

With the majestic Rabindra Sarobar in the backdrop, clear blue sky above, the sprawling green lawn of the The Lake Club made for the perfect setting for a memorable rendezvous with motoring heritage.

The icing on the cake was the seven beautiful Rolls-Royces which adorned the club lawns like seven spectacular jewels. Keeping them company was a century old Stoewer, the oldest entrant of this year’s Concours. The car has served four generations of Chowdhury family, namely Ishwar Chandra, Shantinath, Pratap and now Ananda who has maintained this car in pristine condition.

A 1938 Rolls-Royce 20/25 owned by vintage car connoisseur Avik Naha made its debut at this year’s Concours d’Elegance. This stunningly beautiful car had everyone drooling in admiration. This Rolls is a real stunner and prized possession of its owner.

The 1948 Plymouth Special Deluxe once driven by legendary singer and composer Hemanta Mukhopadhyay and now owned by SK Lahiri was another beauty on display. The Lahiri family bought this car in the early 1970s and thoroughly restored it. Fondly referred to as ‘Nilu’, the car is meticulously maintained till date.

Saurjya Pratim Mitra’s brilliantly restored 1937 Ford 7W10 invited admiration and envy in equal measure. Rajiv Ghosh’s 1932 Ford V8, also referred to as The Ladybird also participated in this year’s Concours. A brilliant car which once belonged to Justice JP Mitter has been the proud possession of the Ghosh family and immaculately restored by the legendary Sanjay Ghosh.

A rare German car Adler manufactured in 1938 was proved to be a huge crowd puller. Presently owned by former top cop Mr. Gadai Chandra Dey, this car has a fascinating history. It was buried after the owner of the vehicle heard in 1939 that it would be acquisitioned by the American Army for its officers serving USA during World War II. It was later salvaged in 1965 and completely restored.

A 1963 Triumph Spitfire which was once owned by Bollywood actor Jackie Shroff has always been a popular car in the Kolkata circuit, much like its debonair owner Saikat Dutta. A Ford Anglia whose reference one gets in the writings of JK Rowling’s Harry Potter also evoked admiration from the visitors. Once owned by ace footballer Subhas Bhowmick, this car is presently the prized possession of Amritendu Roy.

Other noteworthy vehicles which took part in The Lake Club EIMG Concours d’Elegance 2024 were Avik Naha’s 1948 Buick Super 8, Siddharth Swarup’s 1947 Wolseley 14, Indrajit Sircar’s 1957 Wolseley 6/90, Sourajit Pal Choudhuri’s 1928 Ford Model A, Sarmistha Hazra’s 1965 Hillman Imp, Prithvi Nath Tagore’s 1958 Mercedes-Benz 180 A and Sarojesh Mukerjee’s 1959 Ford Zephyr.

The two-wheeler section had as many as 14 participants among which Terence Lobo’s 1940 Triumph 3HW, Chandan Basu Mallik’s 1950 Norton Dominator, Lt. Col. Nitin Shrestha’s 1937 Arial Red Hunter deserve special mention.

Four immaculately restored Rolls-Royces along with a 1931 Chevrolet belonging to the Shrivardhan Kanoria Collection were also exhibited in the Concours. While these beauties weren’t entered in the competition, however, they added a touch of elegance and aristocracy to the event.

The heritage vehicles were judged by Shrivardhan Kanoria and his Concourz Restoration Team on the basis of Authenticity, Restoration, Maintenance, Historical Importance, and Rarity.

List of Winners:

Cars Built Upto 1930 – 1930 Plymouth Type 30U – Arijit Dutta

Cars Built From 1931 to 1940 – 1932 Ford V8 – Rajiv Ghosh

Cars Built From 1941 to 1950 – 1948 Plymouth Special Deluxe – SK Lahiri

Cars Built From 1951 to 1975 – 1958 Mercedes-Benz 180 A- Prithvi Nath Tagore

Vintage Two Door Cars – 1937 Opel Cabrio – Rajiv Ghosh

Classic Two Door Cars – 1947 MG TC – Himanshu Ajmera

Indian Heritage Cars – 1958 Standard Vanguard – Sarojesh Mukerjee

Two Wheelers – 1937 Arial Red Hunter – Lt. Col. Nitin Shrestha

Oldest Car Award – 1913 Stoewer – Ananda Chowdhury

Oldest Two Wheeler Award – 1923 Panther Sloper – Afzal Hossain

Preservation Award – 1947 Wolseley 14 – Siddharth Swarup

Restoration Award – 1937 Ford 7W10 – Saurjya Pratim Mitra

Resurrection Award – 1957 Wolseley 6/90 – Indrajit Sircar

Admirable Award – 1938 Rolls-Royce 25/30 – Avik Naha

Judge’s Choice Award – 1968 Fiat Delight – Rajiv Ghosh

Special Car Award – 1937 Rolls-Royce 25/30 – S.K. Karnani & ORS (HUF)

Touring Delight Award – 1925 Rolls-Royce 20HP – Ashok Kumar Bubna

Sporty Playboy Award – 1963 Triumph Spitfire – Saikat Dutta

Hot Ride Award – 1947 Arial – Harjit Singh Dhanjal

Epitome of Elegance – 1948 Buick Super 8 – Avik Naha

Best of Show – 1938 Rolls-Royce 25/30 – Avik Naha

Photographs by Sourish Meryson